
Scribe (La mécanique de l’ombre) movie review: all tapped out
This would-be faux-70s paranoid thriller piles on too-obvious intrigue and embarrassing clichés, and lacks suspense, thrills, and a protagonist to care about.

This would-be faux-70s paranoid thriller piles on too-obvious intrigue and embarrassing clichés, and lacks suspense, thrills, and a protagonist to care about.

Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.

A triumph of science fiction storytelling: a sweeping tale of mythological scope told with astonishing FX wizardry that brings emotion and intelligence to nonhuman people.

The chemistry of two formidable actresses fuels an extraordinary yet subtle clash in a nuanced, unsentimental story about how women’s friendships shape our lives.

If Jane Austen wrote a horror movie. An almost serene sinisterness infuses female-gazey carnal intrigue… but it could be even more feminist than it is.

This deeply satisfying military drama demonstrates that a simple, even familiar story can be powerfully effective when told with big heart and solid craft.

Filmmaker-to-watch Ana Lily Amirpour again shakes up a familiar genre — here, the postapocalyptic adventure — in unexpected ways, but stumbles a bit in the process.

This fictional dialogue inspired by a private meeting between real-life enemies can’t muster up more than the usual banalities about the ethics of politics and war.

This low-stakes, emotionally limp portrait may be intended to humanize a towering, almost mythic figure, but instead just needles and undercuts him.

Wants to tackle huge personal and societal problems — toxic masculinity; the collapse of traditional ways of life — but it only displays them freak-show style.