
The Retrieval review: the emotional legacy of American slavery
Deceptively simple and deeply cutting. A remarkable little film, a marvel of American indie filmmaking and of stories typically overlooked.

Deceptively simple and deeply cutting. A remarkable little film, a marvel of American indie filmmaking and of stories typically overlooked.

Oh what a lovely film! As romance and history, this is by turns funny and tragic, suspenseful and celebratory, and never less than solidly entertaining.

Culture clash amplifies the options open for a young Pakistani-Norwegian woman in this quietly compelling film.

An overwrought pastiche of Hitchcock that makes less sense and renders its protagonist far less plausible the longer it goes on.

A Biblical action disaster fantasy epic that is completely bonkers, endlessly entertaining, and actually religious in that inspiring-and-instructional way.

A remarkably grounded French-Iranian drama about a broken family trying to mend; unexpectedly riveting, thanks in part to one of 2013’s best ensembles.

A gentle high-school drama about how little courage it actually takes to break through adolescent panicky silence and embrace everyone’s differences.

Excellent performances by Clive Owen and Billy Crudup can’t disguise the fact that there’s absolutely nothing here we haven’t seen too many times before.

Could be the most realistic depiction of the horribleness and the ineffectiveness of institutional incarceration that I’ve ever seen.

The bleak chic of this SF drama is intriguing, but the script that starts out smart and elegant soon slips into the shoddy and familiar.