
The Invisible Woman review: sometimes it’s hard to be a woman
The story of Charles Dickens and his secret mistress is no romance, and no modest costume drama, either.

The story of Charles Dickens and his secret mistress is no romance, and no modest costume drama, either.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

My favorite of the five films is the British “The Voorman Problem,” starring Martin Freeman and Tom Hollander in a hilarious and provocative bit of speculative fantasy…

A gooey nostalgic look back at that time a young boy’s mom fell in love with their kidnapper, presented under a sexy sweltering summer haze.

It’s the rise of the machines as romantic dramedy, and the Singularity as romantic tragedy. It’s the nicest, gentlest sci-fi horror film ever.

Acknowledges the powerful fraternity of soldiers without being jingoistic, and depicts the intensity and adrenaline of a battlefield without being pornographic.

Bit of a shame that a man who looms so large in the hearts and minds of so many has been packed neatly away into a film that is handsome, respectable, and just a tad stodgy.

Mark Gatiss treats the legends of Doctor Who’s creation as only a longtime fan can, in a lovely tribute full of the exasperated acceptance that rose-tinted hindsight brings.

This poignant and painful ensemble drama about the lesser-known figures caught up in the JFK assassination reminds us that history happens to regular people, too.

Almost, but not quite, hilariously demented — if accidentally so — drama about sex and death, and why not to get involved with drug cartels.