
Boy Meets Girl movie review: a slightly kinder world
I don’t think I’ve ever seen a smarter, warmer, more honest depiction of human sexuality than this roundrobin of emotion and attraction. I love this movie.

I don’t think I’ve ever seen a smarter, warmer, more honest depiction of human sexuality than this roundrobin of emotion and attraction. I love this movie.

Romantic and funny and smart and wise and just plain different. This is a historical costume dramedy romp about gardening. How cool is that?

This high-school comedy avoids the worst clichés of the genre and resists rather than indulges the worst tendencies of adolescence. Which is a rare thing.

This stinging GenX midlife meltdown is a bit strained in its plot, but that’s balanced out by lots of melancholy wisdom and bittersweet wit.

A chipper woman-hating comedy about a serial killer… that wants us to feel sorry for him? This is disgusting, repulsive, and enraging.

A product of the Disney princess machine. Its highest ambition is to move a new line of toys. Or to evoke despair in the fairy-tale-ization of girls’ lives.

There’s not much of a story, just a chance to spend more time with the gang of classy sexy randy oldsters. And that’s just fine.

Unpleasant, humor free, and contrary to accepted codes of movie morality. And that’s before it shows its hand as a pile of implausible sentimental mush.

Three of the five nominees are about women, and it’s hardly a surprise that their fresh perspective results in stories that are new and original.

In the deeply moving “The Bigger Picture,” Daisy Jacobs uses a fresh and unique animation style to tell a story that is full of humanity.