
The Bucket List movie review: dead-end boys
I was not crying, I tell you, not crying by the end of The Bucket List. It’s just that the screening room was hot and dry and my eyes were itchy.

I was not crying, I tell you, not crying by the end of The Bucket List. It’s just that the screening room was hot and dry and my eyes were itchy.

If you can manage to get through Dan in Real Life without falling madly in love with both Juliette Binoche and Steve Carell, then you’re a better man than I am, Charlie Brown.

While movies about people clever and engaged enough to enjoy reading for fun may, in theory, be desirable, movies about people *actually reading* are less than totally enthralling.
Oh, but there is joy in this movie… It fills you up, this wonderful, wonderful movie, with just the simple yet profound connection it’s possible to make with another creature, even if that creature is merely a cartoon rat.
The problem is not that *Knocked Up* is “liberal” because it’s about casual sex and having a baby out of wedlock. The problem is that it is horribly conservative about embracing and enjoying an adult version of sexuality that has moved beyond dorm-room-esque groping.
Fluffy baby penguins dancing and singing and waddling around their world with wide-eyed wonder? You have to have a heart of stone not to be a puddle of goo after coming in contact with that.
So, I was raving to a friend about this great new movie I’d just seen, *The Family Stone,* how it’s about this big wacky family getting together for Christmas– And she stopped me right there with a moan and said, Oh God, it’s not like that Jodie Foster movie *Home for the Holidays,* is it? And I said, Why, yes, it’s exactly like that, but even better. She moaned again and said, Oh, I hate that movie.

John Cusack as a neo-noir antihero? Hell yes: he’s been building to this his whole career. And now he’s done it, yanked the rug out from under us and left us to wonder just how far over he’s gone.
This is what, the 18,562,012th film version of Jane Austen? How many times can Lizzie Bennet and Mr. Darcy misunderstand each other and yearn and burn and fail to see past their own snobbery and stubbornness until they finally do? Oh my god, do we really need another *Pride & Prejudice*?
It’s something close to a stroke of genius that once-wunderkind screenwriter Shane Black sought out Robert Downey Jr. to star in his directorial debut. Not because Downey is so achingly sublime an actor and so funkily charismatic a screen presence that it near to makes you want to weep with despair at what brilliance we’ve missed from him over the years during which he wasn’t able to keep his shit together — though he certainly does give us one of the most deliciously shivery-great performances so far this year in *Kiss Kiss, Bang Bang.*