
Woman in Gold movie review: more than just a pretty picture
A deeply moving and very satisfying piece of entertainment that knits up seemingly disparate elements in a tapestry of family pain and pride.

A deeply moving and very satisfying piece of entertainment that knits up seemingly disparate elements in a tapestry of family pain and pride.

This high-school comedy avoids the worst clichés of the genre and resists rather than indulges the worst tendencies of adolescence. Which is a rare thing.

The Iranian skateboarding vampire feminist spaghetti western we have all been waiting for, creepy cool and gorgeously sinister, engorged with suspense and desire.

This anthology of six bleakly funny shorts is a mixed bag that ranges from anticlimactic but intriguing to “Oh my God, did I just laugh out loud at that?”

An impossible tragedy, a movie that confounds all expectations and is full of a terrible suspense. You have never seen a cop movie like this before.

Science fiction with training wheels, fine for sucking the kiddies into geekery but with little appeal for grownup fans of animated genre adventure.

Sneakily undercuts tropes of the young-adult hero’s journey. But in a more adventurous movie environment, this wouldn’t feel this fresh as it does.

An immediate and intimate tale of forbidden romance and other complex emotions and contradictory obligations. This ain’t history but a very human now.

It’s not very suspenseful or romantic, but the always awesome Patricia Clarkson remains calm and kicks some ass, so that’s something.

A product of the Disney princess machine. Its highest ambition is to move a new line of toys. Or to evoke despair in the fairy-tale-ization of girls’ lives.