
The Program movie review: on your bike and follow the money (LFF 2015)
Pretty much strictly for fans of Ben Foster and Chris O’Dowd, who are both superb here. Probably not for fans of Lance Armstrong (if he still has any left).

Pretty much strictly for fans of Ben Foster and Chris O’Dowd, who are both superb here. Probably not for fans of Lance Armstrong (if he still has any left).

The first feature film ever about the women who fought for their right to vote is glorious. It is angry and passionate and defiant. It is essential.

Puts CGI, IMAX, and 3D (and Joseph Gordon-Levitt) to perfect use. Everything here comes with a vertiginous thrill and a delightful enchantment.

A smart, wistful exploration of art, ambition, and celebrity, with appealingly melancholic performances by Robert Pattinson and Dane DeHaan.

A warts-and-all history of Greenpeace full of colorful characters and beset by twists and surprises. An inspiring, even exhilarating tribute.

A spectacular, heart-stopping adventure that has you catching your breath and gasping in shock. See it in IMAX 3D for an enrapturing you-are-there feeling.

Tom Hardy is fab, but this is GoodFellas-lite, depicting violent sociopaths as glamorous, even amusing, and lacking all understanding of what made them tick.

The seething rage radiating from the screen elevates this above similar movies. But that rage is truncated in ways that are hard to ignore.

An achingly perfect evocation of New York’s East Village in the 1980s and an amazing cast cannot make this tale of adolescent anxiety catch fire.

Guy Ritchie’s spy-themed GQ fashion shoot. Pure popcorn nonsense, sleek and chic and vaguely funny, but instantly forgettable.