
The Wolf of Wall Street review: legitimate businessman
A debauched end-of-empire horror story disguised as an outrageous comedy, with remarkable performances from Leonardo DiCaprio and Jonah Hill.

A debauched end-of-empire horror story disguised as an outrageous comedy, with remarkable performances from Leonardo DiCaprio and Jonah Hill.

As with the semifictionalized Rush, this documentary look at the first superstars of Formula One is gripping even if you couldn’t care less about racing.

A smart, snappy, soulful look at how Mary Poppins got Disneyfied, and the redemptive power of story for both teller and listener.

Bursting with insanely engaging characters who are impossibly real and impossibly ridiculous whose stories you don’t ever want to end.

Bit of a shame that a man who looms so large in the hearts and minds of so many has been packed neatly away into a film that is handsome, respectable, and just a tad stodgy.

Mark Gatiss treats the legends of Doctor Who’s creation as only a longtime fan can, in a lovely tribute full of the exasperated acceptance that rose-tinted hindsight brings.

This poignant and painful ensemble drama about the lesser-known figures caught up in the JFK assassination reminds us that history happens to regular people, too.
A cry-till-you-laugh-dramedy about seeking lost family and finding new purpose; Judi Dench and Steve Coogan are fantastic. Seriously, though: bring Kleenex.

There’s nothing the least bit sentimental here. Nothing flashy or showy in McConaughey’s rough-edged portrait. But there is enormous compassion. (new DVD/VOD US/Can, new cinemas UK)

Dryly humorous and wonderfully weird, this is a preternaturally mundane evocation of early 80s nerdery and an almost scary peek at the history of AI.