Bel Ami (review)

Welcome to the costume-drama equivalent of Project X, celebrating misogyny and male sociopathy as just the way things are, and what else can ya expect from the world?

Midnight in Paris (review)

Midnight in Paris becomes the butt of its own gentle joke… perhaps the most Woody Allen joke ever, one that wraps up a paralyzing self-awareness in a redemptive self-deprecation to, finally and splendidly, laugh with great good humor at itself.

Big Miracle (review)

A surprisingly pleasant dramatization of the true story told through the eyes of the TV news reporter who broke the story and the Greenpeace activist who worked tirelessly to embarrass the powers that be into helping free three whales stuck in Alaskan ice…

Tatsumi (review)

Singapore’s official submission to the Best Foreign Language Film category of the upcoming Oscars is an animated Japanese-language ode to legendary gekiga artist Yoshiro Tatsumi…

The Artist (review)

Who does this? Who makes a black-and-white movie in the 21st century? Who makes a silent film in the 21st century? The Artist: Not in 3D, not in IMAX, not even in widescreen!