O Brother, Where Art Thou? (review)

So what the Coens did with O Brother, Where Art Thou? is this: They transported Homer’s epic poem The Odyssey to this filmic otherworld of theirs, turning what is perhaps the original on-the-road story into a Depression-era fantasia that wants more for you to recognize the clever fun they’re having with filmmaking conventions of the 1930s than whether you know the least thing about ancient literature.

Bandit Queen movie review

The true story of a modern-day female Robin Hood of India. A powerful and in spots devastating journey through one woman’s conquest of a culture that views women as little more than sexual commodities.

Zachariah movie review

It’s Help! in the Old West, or The Quick and the Deadheads. This “electric western” musical comedy isn’t quite a hero’s journey, more a hero’s trip. It probably helps to be stoned.

Longitude (review)

Here’s a three-hour (four, with commercials) movie about clocks: clocks being built, clocks being taken apart, clocks being talked about, clocks being restored. It should be as boring as watching paint dry, but instead it’s a thrilling intellectual adventure about the genius and obsession that drives both scientific discovery and scholarship.

Gladiator (review)

Is Gladiator an action movie? Is it an historical drama? Is it a sweeping epic? Yes. Like The 13th Warrior, this is a thinking person’s action movie. Like Braveheart, this is a story of a brutal era told with stunning realism. Like Terminator 2, this is a violent movie that indicts our appetite for violence. Like The Matrix, this thrills on both a visceral and cerebral level.