
#LFF2016: Down Under, Indivisible, Wild
Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

Quick takes from the 60th London Film Festival, with public screenings from October 5th-16th, 2016.

Stakes out its own fresh place in an SF subgenre that is well played out, and rehumanizes it ways that are both extraordinarily moving and deeply unnerving.

An entirely superfluous attempt to recapture the magic of the original film. A remake masquerading as a sequel that goes nowhere and has nothing new to say.

Eschewing the compelling SF questions it raises, Morgan resorts to violence and would-be cleverness, and makes concrete what it should have left ambiguous.

A few hints of stagnation aside, this franchise remains a terrifyingly trenchant dystopia. A brutal vision of an America not far removed from our own.

Pure popcorn thrills. Whips up visceral suspense and maintains it till you’re breathless as it cements the arrival of “woman versus nature” as a subgenre.

This South Korean hit is an oozy doozy of a horror-thriller; confidently spins out its own unique — and breathless — take on familiar genre tropes.

Kate McKinnon’s gleefully reckless physicist is brainy comic mayhem, unlike any female character we’ve seen before. And there are more reasons to cheer.

“Less Ed and Lorraine” and “more cheese and cardboard” is precisely the last direction a sequel to the classy original should have gone in. Yet here we are.

A chillingly crafted portrait of quiet menacing uncertainty. Balefully replicates the precariousness of not being able to trust one’s own instincts.