
Oculus movie review: broken glass
The eerie atmosphere of psychological upset is intriguing and unusual, but it’s not actually all that scary.

The eerie atmosphere of psychological upset is intriguing and unusual, but it’s not actually all that scary.

Two contrived things, found-footage and porn, combine to create a flick that is distasteful and downright disgusting in so many ways.

It’s banned in China for its savage criticism of that nation’s economic and social policies. But its horrors look awfully familiar to us in the West, too.
I want to crawl inside this movie and curl up in its lap and stay there forever. This movie is so languid and so uncoerced. I want to keep it a secret and let everyone know about it at the same time.

Supernatural slasher haunts a live-action role-playing game. The cast is clearly having fun, but none of it rubs off on us.

Whatever the technical intrigue of a film shot guerilla-style at Disney World, the would-be surreal midlife crisis that ended up onscreen doesn’t work… at all.

The neo-luddite attitude is bad, but this commits a far worse sin: it’s dull. If only it worked as a schlocky pile of pulp nonsense, that’d be something…

A teeth-grindingly, blood-boilingly infuriating cinematic trial that’s like an art school film project gone horribly awry.

The few outright scares are curiously circumspect, but the old-fashioned Hammer Horror atmosphere is appealingly spooky.

Scarlett Johansson is an alien serial killer who sexes men to death in a misogynist fanboy wet dream that also fails to satisfy as science fiction.