Sinister (review)

Worth a look for Ethan Hawke’s crankily intriguing performance as a writer who places himself in a creative pressure cooker of a situation, but not for much else.

Frankenweenie (review)

The Tim Burton-est movie in a long while, not merely because it embodies all those wonderfully weird and humanist Burton attitudes but also because only Burton would think to make a stop-motion film in glorious, creamy, black-and-white.

ParaNorman (review)

Dismal, yet profound and pungent, ParaNorman makes its points in ways more sharp and brutal than other “children’s” films. This is a story about ostracism and bigotry taken to extremes, and about our own unspoken prejudices and assumptions.

Storage 24 (review)

Crosses the line into misogy-wah! territory, and conflates an attack by an alien monster with an attack by mean ol’ bitches on innocent men who didn’t do nothin’ to deserve it.

Piranha 3DD (review)

Oh, I know, we’re not supposed to bother the beautiful minds of fanboys by pointing out the misogynist subtexts of their gorefests. It’s just a movie, boys will be boys, etc and so on. Well, tough shit…

Dark Shadows (review)

Hoorah for Tim Burton and the new nadir of narcissistic awfulness he achieves here. Dark Shadows dares to be nothing but the wisp of its own conceit.

Juan of the Dead (review)

Zombies and social satire were made for each other — this has been true since the advent of the modern zombie flick in the 1970s. But zombies and political satire?