
Microbe & Gasoline movie review: adolescent angst (subtitled)
Michel Gondry’s latest is charming but slight, and its typical teen-boy obsessions about boobs and bullies are already well-trod ground.

Michel Gondry’s latest is charming but slight, and its typical teen-boy obsessions about boobs and bullies are already well-trod ground.

Everything looks great on paper here: Damon’s brawny presence; the smartly staged action, etc. And it’s not unfun. But it feels less black ops than old hat.

This South Korean hit is an oozy doozy of a horror-thriller; confidently spins out its own unique — and breathless — take on familiar genre tropes.

The delicately balanced foolishness of Now You See Me gives way to impossibly supernatural magic tricks aimed at thwarting the least menacing villain ever.

Charming. A cleverly constructed and amusingly rendered fantasy adventure that sings with a sweet, wistful devotion to home, family, and friendship.

Hilariously, casting white Westerners as mortals and deities of the ancient Nile is the least offensive thing about this crime against goofball cinema.

Believes six impossible things — like implausible character motivations, or big emotions — because they’re in the script, without bothering to earn them.

It’s the end of the world. Finally, a legitimate reason for a man to experience emotion. We’ve seen this all before… except not quite so ridiculous.

Intensely gripping drama full of smart, thoughtful, personal twists on some familiar sci-fi ideas. Hums with the hope that a better world is within reach.

A sitcom about old men creaking along the Appalachian Trail, reminiscing about slutty girls, and maybe having a stroke at any moment. You know, for fun.