She Monkeys (Apflickorna) (review)
I’m struggling to find reasons to do more than merely coolly appreciate, from an emotional distance, the disagreeably detached dissection of young girls’ sexuality on offer…
reviews by genre
The Raid (aka The Raid: Redemption) (Serbuan maut) (review)
It’s a movie, not the latest first-person shooter, but it might as well be.
The Dictator (review)
A stunning failure, certainly compared to Borat and Bruno. Sacha Baron Cohen is clearly aware of whom the targets of his satiric ire should be, but he couldn’t figure out how to make it work.
Jeff, Who Lives at Home (review)
Those with a very low tolerance for indie quirk may find their patience tried, but I, who have been mixed on the Duplass Brothers and really hated their last film, kinda couldn’t help being charmed by this one.
Piranha 3DD (review)
Oh, I know, we’re not supposed to bother the beautiful minds of fanboys by pointing out the misogynist subtexts of their gorefests. It’s just a movie, boys will be boys, etc and so on. Well, tough shit…
Dark Shadows (review)
Hoorah for Tim Burton and the new nadir of narcissistic awfulness he achieves here. Dark Shadows dares to be nothing but the wisp of its own conceit.
Beauty and the Beast 3D (review)
As with every other 3D conversion of older classic films, it’s the chance to see a wonderful movie once more up on the big screen that’s the real reason to revisit it.
African Cats (review)
A gorgeously photographed, astonishingly intimate look at two big-cat families in the Maasai Mara game preserve in Kenya…
Juan of the Dead (review)
Zombies and social satire were made for each other — this has been true since the advent of the modern zombie flick in the 1970s. But zombies and political satire?
Silent House (review)
Elizabeth Olsen is, without question, one of the most intriguing, most thrilling young talents to burst onto the scene in years. I just wish the movie was kinder to her as a talent…
