Law & Order: Special Victims Unit: The Premiere Episode (review)

With his Law & Order empire, producer Dick Wolf has achieved the impossible: TV with both widespread popularity and cult appeal, thanks to its ripped-from-the-headlines stories and its respect for the smarts of the audience. While new episodes rank high in the weekly broadcast ratings, reruns dominate the schedules of cable networks and the attention … more…

Sounder (review)

It’s fine and warm and satisfying and, yes, inspiring, but this second adaptation of the novel by William H. Armstrong mostly just inspires us to ask, simply, Why? The 1972 original was nominated for multiple Oscars and continues to bewitch viewers today, so why remake it? Kids will enjoy the tale of the coonhound named … more…

Hulk movie review: anger management

I kinda would have liked to be able to toss off a ‘it’s not easy being green’ quip about *Hulk* and be done with it, but damn if Ang Lee hasn’t gifted us with a film that I don’t want to be flip about. Yeah, it’s about a rather enormous green guy who smashes stuff… except that’s like saying that *Hamlet* is about this college kid who goes crazy.

Soldier’s Girl and Jasper, Texas (review)

If you’re not already miserably depressed at the state of the world and how awful people can be and the terrible crimes that get perpetrated under a cloak of religion or ideology or politics, or if you just don’t think that pretending stuff like this doesn’t happen helps one bit, then tune into Showtime this month for *Soldier’s Girl* and *Jasper, Texas,* which amply demonstrate the cable network’s commitment to excellence in its original programming.

The Fast and the Furious and 2 Fast 2 Furious (review)

I approached my parked car after the screening, I found myself wishing it was something a little zippier than a poky little Saturn, and boy I bet a Saturn would be pretty cool tricked out for street racing. And as I drove home, I found myself wondering if those buttons on either side of the steering wheel would ignite the tanks of nitrous oxide under the backseat. (No — they were still for the horn.)

Frank Herbert’s Children of Dune (review)

Sci Fi Channel remade David Lynch’s adaptation of Dune as something less bizarre and baroque but something more comprehensible, and now the network returns with a sequel, based on the second and third books in Frank Herbert’s beloved series of novels. Paul Atreides (Alec Newman) of House Atreides, previously revealed as the prophesied savior Muad’dib, … more…

Dr. Quinn, Medicine Woman: The Complete Season One (review)

Post-Dances with Wolves liberal reinterpretations of the settling of the West by Europeans were never more popular or family-friendly than that embodied by this earnest if unchallenging CBS TV series. Just after the Civil War, patrician lady doctor Michaela “Mike” Quinn (Jane Seymour) heads west from Boston to Colorado Springs to ply her then-unlikely trade … more…

Charlie’s Angels: The Complete First Season (review)

Their release is designed to cash in on Charlie’s Angels: Full Throttle, but these 24 episodes of the 70s TV series aren’t likely to captivate a teenage audience: The car-chasing, gun-toting action is slower moving than we’ve become used to, and the productions are typically cheesy. But there’s a lot of camp appeal for 30somethings … more…

Babylon 5: The Complete Second Season: The Coming of Shadows (review)

In the year 2259, space station Babylon 5, crewed by humans and positioned in neutral territory, serves as a peaceful hub for four alien races — the Narn, Centauri, Vorlon, and Minbari — who fight for control of the surrounding galaxy. Creator J. Michael Straczynski’s visionary five-year story arc made the series tough to join … more…

Finding Nemo (review)

*Finding Nemo* is stunningly exquisite, an extraordinary leap forward in artistry for Pixar, and for computer animation in general, bringing a strange and alien world to life, so real you could almost reach out and touch it, knowing that it would be wet if you did. Truly, *Nemo* is an immersive experience. But only visually. Because the moment all the gorgeously rendered inhabitants of this beautiful undersea realm open their mouths, they sound surprisingly, and rather depressingly, human.