
Dream Scenario movie review: (un)likely boogeyman
Nicolas Cage is comedic in a dry, subtle, nakedly painful way, playing with his “Cage rage” persona; his performance is profoundly moving. I only wish the film was more deserving of what he’s doing.

Nicolas Cage is comedic in a dry, subtle, nakedly painful way, playing with his “Cage rage” persona; his performance is profoundly moving. I only wish the film was more deserving of what he’s doing.

2019’s The Farewell is new on Netflix in the US, on Prime in the UK.

2020’s The Mole Agent is on Hulu and Kanopy in the US, BFI Player and Dogwoof on Demand in the UK.

There is gentle nonstop chaos in the trippy candy-colored assault. Genuinely good-natured, sweet without being sappy, more strange (in a good way) than kids’ movies usually are, and hard to dislike.

The visceral meatiness of this demonic-possession–infectious-zombie combo hits like a blow. The social and political context for the grotesquerie is even more appalling, and so very pertinent.

A great American filmmaker on a memory-holed chapter of American history at the intersection of colonialism and toxic masculinity. Massive, epic, and essential. Scorches the earth of our complacency.

The young cast is mesmerizing, but all this dusty dystopia has is vibes and vague metaphors. It only just barely touches on the potential of its science-fiction ideas to explore the human condition.

The cringe of modern relationships stinks up this antiromance. Its bald truths, all but ignored in pop culture, about how women navigate romantic and sexual relationships with men, demand to be heard.

Looks great, but the plot falls apart if you poke it and makes no attempt to grapple with AI’s potential. Instead it renders its robot people as a racialized Other in a clunky metaphor for bigotry.

A pall of dread, of terrible suspense, hangs over this powerfully empathetic drama about what it means to be a Black man navigating a racist world. Beautifully performed and structurally intriguing.