
Landline movie review: love in the time before smartphones
A charming delight in a retro timeslip. Gillian Robespierre and Jenny Slate continue their rampage of creating wonderfully, memorably flawed women onscreen.

A charming delight in a retro timeslip. Gillian Robespierre and Jenny Slate continue their rampage of creating wonderfully, memorably flawed women onscreen.

A rom-com for people who hate rom-coms. A painfully funny movie, full of enrapturing emotion that captures the glorious contradictions of all kinds of love.

Lurid, pointless thriller teases us with a teenaged girl’s sexual and mortal peril, creating awful suspense around her abuse. Her terror is your titillation.

An enraging, essential documentary rundown of all the ways that women’s rights, agency, and bodily autonomy are under attack in the US. It’s not just about abortion.

Sweet, subversive, and absolutely hilarious, at once a snarky superhero sendup and an unironically joyful celebration of friendship and imagination.

This would-be faux-70s paranoid thriller piles on too-obvious intrigue and embarrassing clichés, and lacks suspense, thrills, and a protagonist to care about.

Primal and exhilarating, full of dread and tension. Drops us right into the chaos of war to tell an intimate story about fear and intensity of purpose.

A devastating portrait of Syrian citizen journalists, of the sacrifices they make to tell of ISIS occupation, and a cautionary tale for Western culture, too.

Simple, yet stupid. A magic box grants a teen wishes… that don’t come free. Apparently they’re not making eighth graders read “The Monkey’s Paw” anymore.

A slyly wise, hugely entertaining portrait of an Orthodox Jewish community that loses its joy when a newcomer sows discord. You don’t have to be religious to love it.