
Jack Ryan: Shadow Recruit review: CIA you again
Why reboot remains a question, but this is a smart popcorn thriller with a surprisingly sensitive performance by Chris Pine, and a wonderfully badass one by Kevin Costner.

Why reboot remains a question, but this is a smart popcorn thriller with a surprisingly sensitive performance by Chris Pine, and a wonderfully badass one by Kevin Costner.

This is history firsthand, in progress, and unfinished.

Bit of a shame that a man who looms so large in the hearts and minds of so many has been packed neatly away into a film that is handsome, respectable, and just a tad stodgy.

This poignant and painful ensemble drama about the lesser-known figures caught up in the JFK assassination reminds us that history happens to regular people, too.

A devastating indictment of pop culture as propaganda — about its power and the limits of its powers — and an upending of the typical teen-girl romance movie.

There’s nothing the least bit sentimental here. Nothing flashy or showy in McConaughey’s rough-edged portrait. But there is enormous compassion. (new DVD/VOD US/Can, new cinemas UK)

So awesome that I almost can’t bear it. And so relevant to today: Are the battles between rich and poor, science and superstition, freedom and repression actually endless?

Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.

Might be interesting if it had enough passion and guts to take a stand, but ends up in the mushy middle of the road, which surely sprang from a desire to be “fair” and “balanced.”

It lifts an embarrassing number of beats from Die Hard… but Channing Tatum is no Bruce Willis.