
Snowden movie review: the system’s self-correction
A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.

A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.

Not alt-history but a true story from a Nazi-occupied English-speaking place, a hugely relevant reminder that resistance to injustice is an absolute imperative.

Odious propagandistic attempt to enshrine Turkish denial of the Armenian genocide of World War I into cinematic history via a tepid and unconvincing romance.

Boiled down to its bonkers essence, Skull Island is a Vietnam war movie with monsters, a retro analog vibe, and a dash of both Moby-Dick and The X-Files.

Plain pure fun. At its best, it’s Lord of the Rings meets Aliens, with incredible imaginative grandeur and genuinely breathtaking 3D depth.

I would give the Oscar in a three-way tie to the Syrian-themed nominees, which offer stunningly intimate observations on the ongoing humanitarian crisis.

A sinister tapestry of urban unease and feminist fury that turns an ordinary domestic setting into a place of skulking terror. Original and deeply creepy.

Fascinating and horrifying. A gripping detective story and an impassioned call for public debate over terrifying weapons that have already been loosed.

There’s genuine fun here, but the humor is cynical, the heroics are tinged with regret, and it’s all delivered with a cold smack of — yes — political relevance.

Furious, funny, and deadly serious, this is an audacious, searing satire that swells into a raw, electrifying fantasy about how we might put aside savagery.