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In Buried, Ryan Reynolds’ contractor in Iraq wakes up in a coffin with nothing but a Zippo and a cell phone for company, and learns that his captors want a ridiculous ransom to release him. This flick sprang from (among other films)…
In Hereafter, Matt Damon sees dead people, but doesn’t want to, and is on a collusion course with a French woman (Cecile De France) and a British boy who have also had a taste of the afterlife. This flick sprang from (among other films):
I bet Angelina Jolie isn’t sorry she got Johnny Depp involved in this at all. I bet she’s loving it…
This is the movie that the MPAA thinks is so hot and steamy and sexy and inappropriate for children to see that they slapped it with an NC17…
I can’t really tell what this movie is about except that Dwayne Johnson is really pissed…
I’m so glad I had not seen this trailer before I saw the film. Because although it does not truly capture how hilarious the movie is, there are things in it that I screamed with laughter at because they were so startling, and I wouldn’t have been as startled if I’d been primed for them by the trailer.
I don’t think Blubberella, offensive as it is, can come close to being as awful as Breakin’ 2: Electric Boogaloo, Gigli, Jesse James Meets Frankenstein’s Daughter, or Ballistic: Ecks vs. Sever.
I’m really starting to wonder what the point of these documentaries is. No one is being convinced of anything, no minds are being changed, and nothing gets done in response.
I can’t remember another weekend like this past one at the box office, which couldn’t be a clearer indication of the difference between how movies aimed at teenagers and very young adults play compared to how movies with more sophisticated appeal do. Look at this…
It used to be a ballet. Now it’s an action movie. Hooray!
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