
Pluto movie rating: yellow light
Brings a socially aware twist to the Korean horror genre, but ultimately fizzles as a cultural cautionary tale.

Brings a socially aware twist to the Korean horror genre, but ultimately fizzles as a cultural cautionary tale.

Deploys twisty sci-fi concepts to warp the almost-clichéd dinner-party soap opera into a horror story of the human condition in the face of quantum philosophy.

If it’s meant to be a spy thriller, it’s not exciting. If it’s meant to be a comedy, it’s not funny. If it’s meant to be dumb, absurd, and risible, it’s a success.

Compassionate, humane, and deeply touching interconnected stories about teenage asylum seekers in the UK.

Deeply unnerving, yet it borders on a salacious exploitation of the everyday horrors it means to condemn.

Yes, it’s a teenaged girl’s romantic fantasy. And some of it might be in a secret code for young women. Imagine that.

Director Clint Eastwood’s discomfort with his own material is enormous and obvious. Does he just not get pop music, or is he actively disdainful and suspicious of it?

The subtle veil of horror draped over things we take for granted as good and wonderful aspects of humanity is deeply unsettling…

Kat Candler’s exploration of toxic male adolescence is handsome and haunting, with a star-making performance by its young star, but we’ve seen this before.

Wonderful true story about a mixed-race woman raised in aristocratic late-18th-century England; like the best Jane Austen romance with a social conscience.