
The Invisible Woman review: sometimes it’s hard to be a woman
The story of Charles Dickens and his secret mistress is no romance, and no modest costume drama, either.

The story of Charles Dickens and his secret mistress is no romance, and no modest costume drama, either.

There is a single thread running through these shorts, and it is deeply existential and irreducibly personal: How do we save ourselves?

A poignant documentary about those who have been cast out of their culture and coping with a larger society for which they are unprepared.

A smart, incisive portrait of a woman who lives life on her own terms and doesn’t let herself get pushed around.

It’s alive! In a technical sense: images flicker on the screen, etc. But it is a soulless, unholy monstrosity. Behold: the movie without a protagonist!

This is like the Mirror Universe, evil-goatee-wearing flip side of Don Jon, a pile of obnoxious, grossout junk.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

My favorite of the five films is the British “The Voorman Problem,” starring Martin Freeman and Tom Hollander in a hilarious and provocative bit of speculative fantasy…

A gooey nostalgic look back at that time a young boy’s mom fell in love with their kidnapper, presented under a sexy sweltering summer haze.

Hilarious in the Coens’ weird, askew way, but also absolutely crushing. This movie breaks my heart in a hundred different ways.