
After the Dark review: most illogical
A thrilling combination of drama, near-science-fiction, suspense, coming-of-age agita, and intellectual exploration of ideas. Pity it derails itself.

A thrilling combination of drama, near-science-fiction, suspense, coming-of-age agita, and intellectual exploration of ideas. Pity it derails itself.

Bracingly free of the usual macho posturing that characterizes movies about the military, and a compassionate and humane portrait of modern soldiering.

The story of Charles Dickens and his secret mistress is no romance, and no modest costume drama, either.

There is a single thread running through these shorts, and it is deeply existential and irreducibly personal: How do we save ourselves?

A poignant documentary about those who have been cast out of their culture and coping with a larger society for which they are unprepared.

A smart, incisive portrait of a woman who lives life on her own terms and doesn’t let herself get pushed around.

It’s alive! In a technical sense: images flicker on the screen, etc. But it is a soulless, unholy monstrosity. Behold: the movie without a protagonist!

This is like the Mirror Universe, evil-goatee-wearing flip side of Don Jon, a pile of obnoxious, grossout junk.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

My favorite of the five films is the British “The Voorman Problem,” starring Martin Freeman and Tom Hollander in a hilarious and provocative bit of speculative fantasy…