
Stolen review: thief of parts
By turns hilarious, absurd, offensive, and insulting, this is all rote action that will pique your interest only when it is being completely ridiculous.

By turns hilarious, absurd, offensive, and insulting, this is all rote action that will pique your interest only when it is being completely ridiculous.

Meanspirited where it’s meant to be funny. Misogynist crap is still misogynist crap when it stars women.

Smart, stylish horror flick, though a standout more for its elegant performances than any original scares.

Joyously warm and gentle… though perhaps too gentle to be entirely satisfying.

This pitiful would-be-sleazy melodrama is so terrible it can’t even manage to be cheesy.

I am haunted by the crazed desperation in Jayma Mays’s eyes. She may have been blinking out a Morse-code SOS, but I can’t be sure…

I didn’t think we were making movies like this anymore. Very near future. Hard science. Nothing fantastical. Space geekery galore, gorgeous and authentic.

A horrifying, heartbreaking eye-opener about human inhumanity to other intelligent and emotional beings who share our planet.

Noah Baumbach and Greta Gerwig have carved out, with effortless elegance and ease, a cinematic space for a woman to be, unapologetically, herself.

Italian satire amusingly sends up our obsession with reality TV, but not in a wholly satisfying way.