The Last Exorcism movie review: the devil inside
It’s absolutely worth seeing… if only for the intriguing debate to be had afterward, if it wouldn’t be an even stronger film were the last five minutes or so to be chopped off.
reviews
Takers (review)
This is how you do it. More like this, please.
The Switch (review)
There are your everyday passive-aggressive Nice Guys. And then there’s Wally Mars, who deserves some sort of lifetime achievement medal for Most Passive-Aggressive Nice Guy Ever.
Lottery Ticket (review)
Kevin doesn’t play the lottery, because he thinks it’s ‘designed to keep poor people poor by selling them false dreams.’ So why does he buy a lottery ticket anyway?
Get Low (review)
I suppose Aaron Schneider knows a thing or two about how to make a cold gray stark wintry movie look even more Great Depression-y…
Nanny McPhee Returns (aka Nanny McPhee and the Big Bang) (review)
There is a sorry tradition among children’s movies of late that dictates that bratty kids are adorable…
Max Headroom: The Complete Series (review)
It’s been almost a quarter of a century since this groundbreaking series graced our screens so briefly, but my memories of it have never faded, so great was the impact it had on my nerdy young brain…
Mother (Madeo) (review)
The horror of Bong Joon-ho’s bleakly comic film begins with how it’s barely a blip in a mother’s routine when her son is accused of murdering a teenaged schoolgirl and Mom must doggedly go to work to find the real killer…
Eat Pray Love (review)
There’s something ridiculously and deeply sad about what Eat Pray Love reveals about the deprived lives American women lead…
The Ghost Writer (aka The Ghost) (review)
This is what I am profoundly grateful for: Roman Polanski’s elegant, gripping thriller The Ghost Writer is not about teenaged girls, not in any way at all.
