The Mist movie review: we have met the monsters…

Frank Darabont’s adaptations of Stephen King’s writings are not just some of the best mountings of the writer’s work but some of the best films, period, of recent years. So I don’t think it’s too outrageous — or too surprising — to say that ‘The Mist’ is not only one of the best movies of 2007, it’s one of the best horror movies ever made. Period.

Before the Devil Knows You’re Dead (review)

Oh, but these are awful people, honestly. They’re so deliciously amoral that it’s coolly insane fun to watch them implode, it’s true, but you’d have to run far and fast were you to find yourself actually encountering them lest their slimy stink rub off on you.

No Country for Old Men (review)

Here’s the thing about Joel and Ethan Coen: they can make anything, absolutely anything, intensely profound and deeply weird — and weirdly deep — and cruelly magnificent all at the same time.

Beowulf (review)

This example of the latest ‘advance’ in animation technology is sterile, synthetic, almost completely unengaging on a human level. It’s animated but inanimate.

Lars and the Real Girl (review)

*Ooo, ick* was my reaction when I first heard about *Lars and the Real Girl.* Because I had, unfortunately, heard about Real Dolls, the anatomically correct sex toys that are as lifelike as silicone can be. Which means they look like corpses. And the thought of a movie about a lonely guy who buys one of them and pretends it’s his girlfriend? No. No no no no.

Lust, Caution (review)

Yes, this is the Ang Lee movie notoriously rated NC-17 for, ahem ‘explicit sexuality’ — no children admitted in the name of American squeamishness!

Lions for Lambs (review)

How do you solve a problem like America? Where do you even start? Everything — the war, the demagoguery, the blanket repeal of civil liberties, the whole big mess — seems so entrenched and so intertwined that it’s paralyzing. I’m so hopeless these days that things will ever get better, to the point where I’m not sure I can take yet more rehashing of the fiasco.

Fred Claus (review)

It’s got… something, this silly flick that’s just a little bit profound in its goofiness, this wonderland of schtick that touches on the dark flipside of all the ho-ho-ho and enforced jolliment of the Holiday Season(TM).