The Hills Have Eyes (review)

A deep-down disturbing and surprisingly poignant riff on abandonment, inhuman isolation, and creepy desolation.

Sorry, Haters (review)

It’s got an edgy, itchy, slightly out-of-skew vibe that perfectly captures the sensation of being off-balance that all New Yorkers have been stumbling through life with since 9/11.

The Libertine (review)

It’s nowhere near as vulgar and shocking as it would like to think it is, but Johnny Depp makes it riveting anyway.

16 Blocks (review)

Harrison Ford should take some lessons from Bruce Wills: this is how you do “action” after, um, a certain age…

Ultraviolet (review)

Can we puh-leeze keep young filmmakers away from ‘The Matrix’?

Apartment 12 (review)

Before you could count on him, Mark Ruffalo was doing crappy romantic comedies…

Tous les Matins du Monde (review)

This acclaimed 1991 new classic of French cinema arrives in a gorgeous new DVD presentation that will delight fans of great film and beautiful music. Winner of seven Césars (the French Oscar) and based on historical figures, this is the vibrant and glorious tale of a mysterious and deeply sad 17th-century viol teacher, Monsieur de … more…