Monster (review)

Well, it’s official. All you aspiring actresses coming on the bus to Movieland from Iowa or Kansas? You might as well turn around right now and go home. Unless you look like a supermodel, of course. Cuz The Movie’s ‘No Fat Chicks/No Ugly Chicks’ sign has been given a new spit-and-polish. Oh, it’s not that they won’t make the odd film about fat or ugly chicks, or even just ordinary-looking chicks without supernatural cheekbones and with enough body fat to actually menstruate, it’s just that they’ll hire gorgeous, statuesque, rail-thin blondes who’ll gain artistic weight and sit for three hours of makeup in order to look like a mere mortal, like the way the rest of us look all the time.

In America (review)

Some people claim to have strong, precise memories from their very earliest childhood. Me, it’s all a jumble. Am I really remembering an event, or am I remembering stories of it from long after? Or am I remembering photos of it? Often, that’s the most likely explanation, to my mind. My memories all seem to have that gauzy quality…

Big Fish (review)

I love Tim Burton’s films, even when they’re not great. I love his unflinching weirdness. I love that he’ll take a chance and go the extra mile of excessiveness even if he fails half the time to take us along, because when he succeeds, it’s like nothing you’ve ever experienced before. I love all the baroque curlicues — visual and intellectual and humorous — of his vision.

Shortcuts

These reviews have moved — sorry for the inconvenience. click here for Cheaper by the Dozen review click here for The Company review click here for The Fog of War review click here for Girl with a Pearl Earring review click here for Love Don’t Cost a Thing review click here for My Baby’s Daddy … more…

Cold Mountain (review)

I’m of the opinion that there is no situation for which *The Princess Bride* cannot provide an appropriate quote. And the first thing that sprang to mind when I failed to be blown away by *Cold Mountain* was: ‘Nothing you can say will upset me.’

Peter Pan (review)

Will people freak at this film? Not that there’s anything wrong with that — people should freak at films, sometimes; it’s good to get your complacency shaken up a bit — but it’s easy to see how the self-righteous, sanctimonious, think-of-the-children cabal could get their panties in a twist over this new *Peter Pan.*

Young Black Stallion (review)

Horsies! Pretty horsies! Pretty, pretty horsies! Running in the desert, with the dunes and the sunset and exotic mystery! In huge, glorious IMAX! In post-WWII Arabia, young Neera (Biana Tamimi) befriends a wild black colt she names Shetan, and with the help of her pal Aden (Patrick Elyas), she hopes to use the colt, whom … more…

Paycheck (review)

Starring Ben Affleck and Uma Thurman. And Ben Affleck and Uma Thurman’s stunt doubles, who get at least as much screen time as the ostensible stars. Shootouts, showers of breaking glass, car-motorcycle-helicopter chases, and games of chicken with subway trains: director John Woo isn’t gonna risk their pretty faces, so all the big action set … more…

The Company (review)

Less satisfying than it should be, this elegant little film is a perfectly pleasing experience, though you won’t remember a thing about it after the credits roll. Using a pseudodocumentary form and a loose, authentic, almost improvised style, Robert Altman (Gosford Park) takes on the world of ballet: the toll the punishing physicality takes on … more…