Teddy Bears’ Picnic (review)

They’re the richest, the whitest, the most powerful men in the world, and once a year they gather at Zambesi Glen in Northern California to cut loose and plan their continued domination of the planet. Inspired by the exclusive men’s retreat Bohemian Grove, where Richard Nixon and Henry Kissinger have frolicked, writer/director Harry Shearer (EDtv) … more…

The Rookie (review)

But if you’ve been moved by that religious experience of seeing the diamond, if you damn near cry when the national anthem gets played over a tinny loudspeaker at a Little League game, if a beat-up glove gets you all choked up, then you must bring a whole damn box of Kleenex with you to the theater. Even men can cry over this one, cuz it’s about sports.

Death to Smoochy and Panic Room (review)

A movie is never more of a crushing disappointment than when you’ve gotten your hopes up, when against your better judgment you’ve bought into the hype and the advertising and the how-can-it-miss high concept. Imagine how sad the entire geek community is going to be if Sam Raimi’s Spider-Man sucks. (But it can’t suck, right? Right? I mean, it’s Sam Raimi. It’s Spider-Man. Please, whatever movie gods there are, don’t make it suck. Don’t do that to us.)

Showtime (review)

So you’re channel surfing in the middle of the night and you come across — probably on Encore or Starz! or some other channel that tries to create excitement with an exclamation point — you come across car crashes and stuff blowing up and guns, guns, guns, and reluctant-buddy cops who snipe at each other constantly (one of whom declares that he’s getting too old for this shit, the other one who takes nothing seriously) and you think to yourself: Huh. I didn’t know DeNiro made a lethal-weapon movie. This has gotta be ten years old — how did I miss this?

Ice Age (review)

The computer animation may be lovely — hair is soft and realistic, fire is gorgeous — but that can’t make up for a humdrum script that steamrollers the audience with an overly sentimental story we’ve seen too many times before. As glaciers advance, a woolly mammoth, a sloth, and a sabretooth tiger team up to … more…

Harrison’s Flowers (review)

When her husband, Newsweek photojournalist Harrison Lloyd (David Strathairn: Simon Birch), goes missing on assignment in the Balkans, fellow Newsweeker Sarah (Andie MacDowell: Town and Country), goes in search of him. Set in 1991 amidst the beginnings of civil war in Yugoslavia, this is a brutal film, in every right way: an antidote to the … more…

Resident Evil (review)

And it’s based on a video game. Which narrows the audience down to teenaged boys (of all ages) who are simultaneously terrified of and drawn to caricatures of strong women. Which is basically the audience Hollywood shoots for in general anyway, so it should be looking at a hit here.

The Time Machine (review)

I got yer time machine right here. See, you buy a ticket to this new Guy Pearce movie, and 90 minutes later, 3 days have passed by.

The Last Man (review)

The bad news is, you’re a schlub of a guy. The good news is, you’ve just met the girl of your dreams: she’s smart, funny, sexy as hell. The bad news is, her attitude reeks of “Not if you were the last man on Earth.” The good news is, you are, which is making her … more…

40 Days and 40 Nights (review)

The problem with sex in the movies isn’t that there’s too much of it — it’s that’s there’s too little of it. There may be no shortage of nearly naked bodies and sweaty grunting and creaking bedsprings, but that’s just raw physicality — what’s missing is seductiveness, sensuality, intelligence, a sense of the numinous. What’s missing is the notion that our most important sex organ is the human brain.