Mean Dreams movie review: Paxton et justitia
Tepid teen romance turned implausible thriller is just about saved by a powerful, and unusually disturbing, performance from Bill Paxton (one of his last).
reviews
Personal Shopper movie review: shadows of sorrow
Strange and melancholy, this genre-defying portrait of grief and loneliness puts Kristen Stewart’s onscreen persona of restive reluctance to very effective use.
Get Out movie review: yes all white people
Shattering and deep-down bone-chilling. A viciously unsettling nightmare of race and privilege that carves out a much-needed paradigm shift for genre film.
Beauty and the Beast (2017) movie review: ever just the same, never a surprise
Like a theme-park mounting of the 1991 cartoon, or the blandified pop version of an enchanting signature character tune. A watered-down pastiche of itself.
The Ottoman Lieutenant movie review: erasing the past with sleight of cinematic hand
Odious propagandistic attempt to enshrine Turkish denial of the Armenian genocide of World War I into cinematic history via a tepid and unconvincing romance.
The Chamber movie review: hell and high water
A wonder of low-budget suspense, this is a horror movie with no monsters, only people in an impossible situation. Intense, claustrophobic, totally gripping.
Catfight movie review: punches not pulled
Takes women’s hostility out of the realm of the passive-aggressive and gives it free comedic rein physically in a way that is hilarious, disturbing, and pointed.
Kong: Skull Island movie review: ape-ocalypse now
Boiled down to its bonkers essence, Skull Island is a Vietnam war movie with monsters, a retro analog vibe, and a dash of both Moby-Dick and The X-Files.
My Life as a Zucchini (aka My Life as a Courgette) movie review: nutritious, filling, and delicious
Simply a lovely film, with some of the most striking — and haunting — animation I’ve ever seen, and full of a remarkable and palpable warmth and humanity.
The Last Laugh documentary review: punching Nazis (with comedy)
Analyzing jokes can ruin humor, but not here. This is a provocative, hilarious, and important discussion of comedy taboos, who gets to transgress them, and why.
