Amelia (review)

This *Amelia* is a quiet, reflective film, and Earhart is not an icon or a symbol: she’s a human being, and the fantasy comes in how the film depicts her life and her achievements and everything about her not as something a *woman* did but something a *person* did.

Astro Boy (review)

It’s creepy, and it’s weird, and it’s something like a mecha minstrel show, particularly in how the film pretends to a ‘robots are people too’ theme yet fails itself to treat them as such.

The Damned United (review)

I might not know from football, I do know people, and *The Damned United* is an absolutely thrilling story, one both hilarious and poignant, about a man who is downright classical in his flaws…

Paris (review)

Ah, Paris. Ah, Juliette Binoche. If you need a dash of the Continent — romantic, inscrutable, ardent — you probably cannot ever go wrong with a flick set in the City of Light and starring one of the most luminous actresses ever to grace the arthouse screen.

A Serious Man (review)

It’s hard to know sometimes whether the Coen Brothers are… well, not pulling our collective leg. Bbut are they actually *daring* us, with each new film, to keep coming along with them?

Law Abiding Citizen (review)

It had me at *kaboom,* this thorny moral conundrum of a film, and then it lost me when it threw out all the tricksy pointedness in favor of thoughtless, counterproductive badassery.

An Education movie review: A-plus

Someone once said that perfect movies are boring and only flawed movies intriguing, and then along comes a movie like An Education, about which the number of things that are absolutely perfect is impossible to measure… and it’s thrilling and captivating anyway.