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Finally! A movie than combines all the gender bashing of terrible TV commercials and awful sitcoms — in which manipulative women must crack the whip on their manchild husbands — with the repulsive wedding porn of every other romantic comedy of recent years.
Quietly charming and coarsely handsome, a sensitively observed story about young people in love seen through a keen eye for the unglamorous side of New York City that we don’t often see on film these days…
Some viewers may be turned off by the raw fury of 15-year-old Mia, but they’re probably the ones who need to see this marvelously disturbing film most…
We should thank Tim Burton for his *Alice in Wonderland,* for it does one thing extraordinarily well: It reminds us that James Cameron really did achieve something new and astonishing with *Avatar.*
This gentle movie is about science as a human endeavor, as noble and contradictory and sometimes as wrenching a thing as making great art or journeying to unknown lands.
Wails with a quiet, desperate urgency amidst the loud brashness that it wears like, well, a badge…
Surprisingly thoughtful — yet not quite thoughtful enough…
Shame on Silent Bob. I realize that times is tough and everyone’s gotta make a living, and that that’s probably why Kevin Smith agreed to direct a big-budget studio buddy action comedy. But shame on him anyway.
I challenge anyone who sincerely believes that *The Blind Side* is a good film to take a look at this one and see how this kind of story is meant to be told.
If what I think is happening here, is happening here, it better not be…
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