
Thor: The Dark World review: Viking with a chance of wormholes
Think heavy-metal Lord of the Rings. With wormholes. It’s completely mad and kind of awesome.

Think heavy-metal Lord of the Rings. With wormholes. It’s completely mad and kind of awesome.

My soul was never stirred. My spirit did not soar. My intellect did twitch a bit in ways that made my heart ache disagreeably, however.

Eric Bana and Rebecca Hall are as engaging as ever, and the film raises intriguing issues concerning the “War on Terror”; pity the plot descends into the ridiculous.

There’s nothing particularly surprising here. Not even the rather tediously obvious 15-minute all-nude lesbian fuckfest.

Diablo Cody has a new movie… but you’d hardly know it was her work, for all the bite it lacks.

Nothing here is as clever as it is desperately trying to be, but Stallone and Schwarzenegger are game to give us a good time.

Might be interesting if it had enough passion and guts to take a stand, but ends up in the mushy middle of the road, which surely sprang from a desire to be “fair” and “balanced.”

The only person known to have escaped from a North Korean re-education camp reveals some 1984-level shit, except it’s worse, because it’s not fiction…

Thoughtful performances and grim visual elegance aren’t enough to save this portrait of abuse and control twisted into banal evil from becoming too banal to have much bite.

Forget about the socially conscious core that fueled the exploitation engine of the first film. This one is flat-out, no-message action comedy, outrageous and hilarious.