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Grim treats, mining suspense and urgency from intensely plotted dual timelines of brutal criminality. A must for fans of rumpled, cynical, bitter detectives.
A bitter feminist fairy tale about a woman betrayed by love and trust and crafted by culture to be vulnerable to the charms of a con-artist husband.
Superbly unsettling. Pointedly highlights how incarceration dehumanizes inmate and guard alike. Kristen Stewart’s steeliness is perfectly suited to its ironies.
This inspired-by-fact tale of the custody battle over a mixed-race grandchildren only just skims the many provocative issues it touches on.
Writer, director, and star Chris Rock is so close to something great here, but he gives in too easily to the unchallenging and the very conventional.
Julianne Moore’s terror at watching her own emotional and intellectual life slip away is palpable, and much scarier to me than any slasher movie.
This isn’t only another rote slasher movie, full of ridiculous coincidences and obvious red herrings: it’s actually worse than that, yet thinks it’s clever.
Funky-elegant, weirdly funny, visually intoxicating. I love this movie so much for how it’s different about being more of the same old stuff we always love.
The Iranian skateboarding vampire feminist spaghetti western we have all been waiting for, creepy cool and gorgeously sinister, engorged with suspense and desire.
A grownup storybook of a movie spun out of candy-colored nonsense that challenges you to embrace its falseness and deny its romance.
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