
The Patrol review: hurry up and wait
Bracingly free of the usual macho posturing that characterizes movies about the military, and a compassionate and humane portrait of modern soldiering.

Bracingly free of the usual macho posturing that characterizes movies about the military, and a compassionate and humane portrait of modern soldiering.

There is a single thread running through these shorts, and it is deeply existential and irreducibly personal: How do we save ourselves?

A smart, incisive portrait of a woman who lives life on her own terms and doesn’t let herself get pushed around.

It’s alive! In a technical sense: images flicker on the screen, etc. But it is a soulless, unholy monstrosity. Behold: the movie without a protagonist!

This is like the Mirror Universe, evil-goatee-wearing flip side of Don Jon, a pile of obnoxious, grossout junk.

The French “Mr. Hublot” creates an utterly real yet completely fantastical world, a palpable steampunk environment of gorgeous mechanical loveliness.

My favorite of the five films is the British “The Voorman Problem,” starring Martin Freeman and Tom Hollander in a hilarious and provocative bit of speculative fantasy…

An exuberant rock ’n’ roll comedy in which three of the most memorable movie teens ever embrace their adolescent angst and give it screaming voice.

A remarkable documentary about a remarkable kid, and an incredibly optimistic look one young person making her dreams come true.

Why reboot remains a question, but this is a smart popcorn thriller with a surprisingly sensitive performance by Chris Pine, and a wonderfully badass one by Kevin Costner.