
The Messenger movie review: voices from the other side
This he-sees-dead-people drama slathers on the moping misery with a trowel, and indulges in a wishy-washy ambiguity that serves no purpose.

This he-sees-dead-people drama slathers on the moping misery with a trowel, and indulges in a wishy-washy ambiguity that serves no purpose.

There’s nothing groundbreaking in this low-budget sci-fi thriller, but newbie director Mcenery-West makes excellent use of his claustrophobic setting.

Naive, hamfisted, and amateurish indie sci-fi… but as hilarious as the clumsy, clichéd execution is, it still isn’t even worth it for the laughs.

A warts-and-all history of Greenpeace full of colorful characters and beset by twists and surprises. An inspiring, even exhilarating tribute.

A spectacular, heart-stopping adventure that has you catching your breath and gasping in shock. See it in IMAX 3D for an enrapturing you-are-there feeling.

Tom Hardy is fab, but this is GoodFellas-lite, depicting violent sociopaths as glamorous, even amusing, and lacking all understanding of what made them tick.

The only slightly original element of the first film — the Maze — is gone, and now we’re in not simply a generic afterscape but every sci-fi afterscape.

An uncomfortable, essential documentary that takes no sides as it raises questions about American ideals that are almost unanswerable but demand exploration.

Sharply observant and always surprising; mixes dry humor, aching drama, and stinging social commentary in its clashes between classes and generations.

Over the river and through the woods to yet another banal, anticlimactic attempt at storytelling from M. Night Shyamalan. And this time, it’s found-footage.