
Oscar Nominated Animated Shorts (88th Academy Awards) review
The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

The wonderfully weird, hilariously morbid “World of Tomorrow” crams in more disturbing, sinister science-fiction ideas than a decade’s worth of blockbusters.

“Day One” is a wartime drama the likes of which we have not seen before, with a marvelous Layla Alizada as an interpreter with U.S. forces in Afghanistan.

Michael Bay propagandizes for a right-wing idea of “true America,” seething with disdain for anyone who isn’t a former elite soldier turned mercenary.

Lazy and trite, with a passive protagonist. It’s as if no one here understands the appeal of the postapocalyptic YA genre it is attempting to piggyback on.

Dubious police procedures, by-the-numbers buddy-cop-comedy shenanigans, and characters who hate one another, none of which is as fun as it sounds.

Snarky humor and a wonderfully put-upon Matthew Macfadyen are the best reasons to see a satire that ultimately seems to forget where it was heading.

If you could slap a dudebro fedora on Blade Runner, you’d get this ridiculous attempt at a mind-blowing sci-fi drama. Pretentious yet accidental silly.

The stakes feel lower than they should, but as a portrait of youngsters in a tough familial and social position, this is compassionate and engaging.

This compact little satire — set in 1990s Balkans — is a small, personal story about huge unfairnesses and injustices. Bleakly, bitterly, blackly funny.

The beautiful performances and raw intimacy are definitely worth your time, but its wispy good intentions ultimately dissipate into thin air.