
Good Kill movie review: American droner
There are important issues running through this, but the film forgets to be sufficiently engaging in the course of being Significant.

There are important issues running through this, but the film forgets to be sufficiently engaging in the course of being Significant.

A bit of House of Windsor fan fiction: cute but slight, though the re-creation of London’s citywide VE Day celebrations is kind of amazing.

Some sweet sisterhood and truly fantastic musical performances get dragged down by awkward, lazy, embarrassing attempts at humor.

Astonishing. Achieves its grotesque, magnificent brutality in an old-fashioned way that serves as a smackdown to bloated, sterile CGI monstrosities.

A compassionate, distressing tale of a woman’s determination to find her own purpose, full of heartbreaking moments that pile up until they’re unbearable.

Two films about poor black teen girls offer harrowing — and very universal — portraits of how our culture tries to crush the spirit out of all girls.

Writer, director, and star Chris Rock is so close to something great here, but he gives in too easily to the unchallenging and the very conventional.

A pleasant and undemanding romantic drama that takes great care not to upset you unduly with strong emotion or embarrassing passion.

I don’t think I’ve ever seen a smarter, warmer, more honest depiction of human sexuality than this roundrobin of emotion and attraction. I love this movie.

This spectacularly ill-conceived movie is what happens when a cheap ripoff cannot even rise to the level of crass Hollywood junk.