
The Devil’s Violinist movie review: all the wrong notes
A hilariously histrionic depiction of 19th-century superstar violinist Niccolò Paganini’s rise to fame, far more Monty Python than Mozart.

A hilariously histrionic depiction of 19th-century superstar violinist Niccolò Paganini’s rise to fame, far more Monty Python than Mozart.

Filmmaker Nick Broomfield does something completely astonishing (though it shouldn’t be): he listens to people the cops utterly ignored.

In the deeply moving “The Bigger Picture,” Daisy Jacobs uses a fresh and unique animation style to tell a story that is full of humanity.

A delightfully engaging, convention-busting slice of of-the-moment America that is far from the typical culture-clash romantic dramedy.

I cannot recall a film that left me with such a sour taste in my mouth by its end. Does the movie deliberately defy itself with obnoxious intent?

A heartbreaking child’s-eye view of the moment when it begins to dawn that the world is going to be unimaginably cruel to a nonconformist.

Misogynistic, predictable, crammed with tonal shifts, and devoid of likable characters. Another young filmmaker has taken all the wrong cues from Hollywood.

This isn’t a children’s movie… and yet it kind of is, too, with its odd mishmash of social realism, action thrills, misplaced comedy, and simplistic drama.

Joyous and exhilarating. A fresh and funny animated adventure that subverts genre clichés at every turn.

You will be shocked, I am sure, to discover that Big Oil has put its profits before all else (including you).