
Rosewater movie review (London Film Festival)
Jon Stewart’s first film is passionate and principled, as I expected, but also hopeful, almost serene, and even gently amusing, which I did not.

Jon Stewart’s first film is passionate and principled, as I expected, but also hopeful, almost serene, and even gently amusing, which I did not.

One of the best SF series ever deepens its critique of the power of propaganda in ways complicated, intriguingly contradictory, and a little bit horrifying.

A marvelous combination of thrilling intellectual adventure and sensitive portrait of a man ahead of his time both personally and professionally.

Cements Tom Hardy’s reputation as one of the most effortlessly mesmerizing actors working today.

A social-realist werewolf fantasy in which burgeoning womanhood is a thing terrifying to many a man, particularly if a woman simply will not be tamed.

A disgusting tale that imagines its tiny side dish of commentary on toxic fandom and male entitlement makes up for it being a perfect example of such.

Found footage has come to be an excuse for storytellers to completely bypass drama, character development, and plot in an attempt to be “authentic.”

Charming and off-kilter, this is a rare tale of a young woman struggling with her identity in a way that deals a shock of recognition and never apologizes.

Funny and sad and wise and wonderful… with an absolutely heartbreaking, career-changing performance by Bill Hader.

A smart, classy, slow-burn thriller made up of the stuff of authentic spy work and plenty of bitter irony about modern geopolitics.