
47 Ronin review: they’re not having much fun storming the castle
A handsome movie in many ways, but it feels like an unpolished first draft, one that can’t quite decide how fantastical it wants to be.

A handsome movie in many ways, but it feels like an unpolished first draft, one that can’t quite decide how fantastical it wants to be.

A Biblical action disaster fantasy epic that is completely bonkers, endlessly entertaining, and actually religious in that inspiring-and-instructional way.

Nothing here is terribly haunting, but at least someone is trying to make something like a horror movie these days that isn’t about gore and torture.

Finds absolutely nothing new in the supposedly spooky found-footage subgenre, unless all the typical haunted-house frights occurring in a church counts.

A remarkably grounded French-Iranian drama about a broken family trying to mend; unexpectedly riveting, thanks in part to one of 2013’s best ensembles.

I’ve never seen the show that spawned it, but it was still exactly what I was expecting. I am neither overwhelmed nor underwhelmed by it. I am whelmed.

A gentle high-school drama about how little courage it actually takes to break through adolescent panicky silence and embrace everyone’s differences.

Stuns me with its scathing commentary on the real world today, wrapped up in what is some of the most delicious, most comic-booky fantasy ever.

Excellent performances by Clive Owen and Billy Crudup can’t disguise the fact that there’s absolutely nothing here we haven’t seen too many times before.

Could be the most realistic depiction of the horribleness and the ineffectiveness of institutional incarceration that I’ve ever seen.