The Town (review)
Affleck could do for Boston what Martin Scorsese did for New York in the 1970s…
reviews by year
Resident Evil: Afterlife 3D (review)
Paul W.S. Anderson loves him some style without style, texture without substance: this is all white noise, visual static to make the movie pop more in 3D.
Flipped (review)
Everything that is wrong with The Movies today in America is beautifully encapsulated in how this lovely little movie cannot find an audience in the current movie environment.
Going the Distance (review)
I slept with this movie, and now I’m sorry I did.
Machete (review)
I can’t wait for the right-wing windbags to begin decrying Rodriguez and Machete — oh noes! he’s trying to ignite a class war!
The American (review)
I was certain that there was no movie that I could not endure if it meant I could gaze at George Clooney for two hours. I was wrong.
The Last Exorcism movie review: the devil inside
It’s absolutely worth seeing… if only for the intriguing debate to be had afterward, if it wouldn’t be an even stronger film were the last five minutes or so to be chopped off.
Takers (review)
This is how you do it. More like this, please.
The Switch (review)
There are your everyday passive-aggressive Nice Guys. And then there’s Wally Mars, who deserves some sort of lifetime achievement medal for Most Passive-Aggressive Nice Guy Ever.
Lottery Ticket (review)
Kevin doesn’t play the lottery, because he thinks it’s ‘designed to keep poor people poor by selling them false dreams.’ So why does he buy a lottery ticket anyway?
