
G.I. Joe: The Rise of Cobra (review)
Ah, Mr. Fanboy. I’ve been expecting you. What, you thought sneaking into my fortress in the dead of night was your idea? Fanboy, you disappoint me with your lack of guile and imagination…

Ah, Mr. Fanboy. I’ve been expecting you. What, you thought sneaking into my fortress in the dead of night was your idea? Fanboy, you disappoint me with your lack of guile and imagination…

It’s just about two women doing something for themselves, for their own amusement and enlightenment, and not even to please their men — hell, they’re not even competing for the same man!
David Twohy hopes you’re not as smart as he is. In fact, he’s counting on you being kinda dim.
If there was a very small child whom I wanted to introduce to the magic of movies, I could do a lot worse than this harmless but rather cute action fantasy…
So, this Ashley Tisdale person is famous for something, is she?
Perhaps it’s a little bit of victory, in an odd way, that this too-earnest, underemotional drama so perfectly apes its protagonist in how it cannot quite connect with anyone outside itself.
Think ‘guerrilla journalism.’
Tears of a Clown Oh, people are gonna hate this movie. Look, the jokes are not jokes in Funny People. The humorous-sounding bits of dialogue are not intended to make you laugh so much as they are intended to make you wonder why the characters uttering them are trying to make those around them laugh. … more…
I’m trying to figure out when ‘romantic comedies’ turned into ‘let’s throw two really despicable and unpleasant people together in the first act so they can hate on each other through the second act until they magically fall in love in the third act.’

Oh, how I wish this was a knowing parody, not an unwitting one. All the overbaked tropes of the genre are deployed: the “scary” music, the “menacing” camera angles, the telegraphing every boo.