Forgetting Sarah Marshall (review)
It’s really hard to like a character when his own movie makes fun of him.
It’s really hard to like a character when his own movie makes fun of him.
So a martial-arts-mad teen from South Boston goes into a Chinatown pawn shop, see. It’s pretty much the same little-bit-scary, little-bit-cool, loaded-with-interesting-old-junk Chinatown pawn shop that Hoyt Axton went into in *Gremlins* and came out with the cute, cuddly Mogwai, so you know some weird shit is in the offing.
It’s apeshit crazy nuttiness right from the opening moments of *Expelled: No Intelligence Allowed*…
I’ve been seesawing with myself on Street Kings since… well, since I was sitting in the screening room watching it. It’s not an easy movie to recommend — I can’t honestly be totally gung-ho on it — but it’s not an easy movie to dismiss, either.
Oh dear god yes, this is a *liberal* movie, in that it does not pretend that things aren’t exactly the way they are…
Jim Sturgess is gonna be a huge star, mark my words. Maybe not for this movie, though…
If I like a movie, I usually like seeing it again. Except when it comes to romantic comedies: I tend not to think they bear up to multiple viewings, even the few good ones. I may have to reconsider that stance, however, now that I’ve seen ‘Run, Fat Boy, Run’ twice.
Ira Sachs’ last film was a tough, uncompromising portrait of passion and pain. Would that his followup were as powerful…
It’s gotta mean something, right? In only the first few months of 2008 we’ve seen more than one — more than two — movies about daring, honking-big robberies pulled off by little people who feel, perhaps justifiably so, that they’ve been cheated by life…
This isn’t a movie: it’s a buffet at which Perry piles your plate with spoonfuls of absurd melodrama, a taste of gritty urban drama, a heaping of cheap cartoon, and a big side of corn.