Premonition (review)

You know those “In a world where…” movie trailers? Well, *Premonition*’s would start out: “In a world where no one has ever seen *Groundhog Day*…”

I Think I Love My Wife (review)

I am not the audience for this flick. I don’t need a tortured justification that the choices I made are the “right” ones no matter how unhappy I am about them. I don’t need the release of laughing at my own suffering.

300 (review)

The first person who uses any aspect of this flick to justify the American debacle in Iraq is getting a swat across the nose with a copy of *My Pet Goat.* Which King Leonides of Sparta does not sit reading while his country is threatened and attacked.

Breaking and Entering (review)

This is a smart, elegant, sophisticated film that should be everything I want to see in a movie and yet fails to be because it’s missing that one enigmatic element, the hardest to capture, the most unfakeable: spirit.

Zodiac movie review: killer movie

Fincher rivets us through what could have been an interminable two-hour-and-forty-minute runtime, by daringly jumping through a crime spree that spanned decades with brisk panache, boiling it down into slices of suspense, drama, and fear, with a bit of media criticism thrown in sideways for spice.

Wild Hogs (review)

So this is the big question, then: Are so many American men so oppressed by the “horrors” of modern life — high cholesterol, uppity wives, smartass children, cell phones, boring jobs, the general dead-eyed awfulness of suburbia — that they need a stupid movie like this one to tell them that if they don’t like their lives they should do something about it?