Miss Potter (review)
Zellweger brings a flinty steel to Potter, a woman with the faraway imagination of an overgrown child who simultaneously has the enormous backbone…
reviews by year
Idiocracy movie review: stupid is as stupid does
‘Idiocracy’ is even more trenchant, more damning, more — hell, I’ll say it — ‘revolutionary’ than ‘Office Space.’
Curse of the Golden Flower (review)
It pains me deeply to say this, but, Bwahahaha! Are they kidding with this ‘Curse of the Golden Flower’ thing? Seriously, where can I get some of whatever Zhang Yimou was on when he was directing this grotesquerie of a cinematic disaster?
Happily N’Ever After (review)
Half-assed and cheap looking. And it star Freddie Prinze Jr. What, you’re surprised?
Children of Men movie review: a bang and a whimper
There’s so much despair and anger and grief layered just into the background of Alfonso Cuarón’s film that I can’t shake its gray grimness — I’ve been haunted by this film for weeks now…
Home of the Brave (review)
Look, this is no classic. It’s a little obvious, and a lot ham-handed in places. But its opening a window onto a scene that we shouldn’t be ignoring is vital. What it wants to do, storywise, and succeeds in doing more than compensates for the forgivable gaffes it stumbles into along the way.
The Good Shepherd (review)
Cool, cynical irony drips from every moment…
Off the Black (review)
Smart, bone-dry, but ultimately distant indie…
We Are Marshall (review)
Calling anything “indescribable” is like throwing down a gauntlet that Hollywood can’t help but pick up: of course real people’s real pain can be turned, yet again, into trite, glossy cinematic junk food. How could we possibly doubt this?
Night at the Museum (review)
A lack of appreciation for what the museum truly means to so many people is part of why ‘Night at the Museum’ ultimately disappoints.
