
God Knows Where I Am documentary review: into her mind
A meditative, enormously sad, and sometimes angry-making portrait; provides a stark peek into a mind mentally ill yet remarkably confident and determined.

A meditative, enormously sad, and sometimes angry-making portrait; provides a stark peek into a mind mentally ill yet remarkably confident and determined.

A one-note scenario that never ups the ante on itself, and never even bothers to use its extreme situation to send up office politics or corporate policies.

Bland, tasteless entertainmentstuff intended to neither move nor offend, and succeeds as such. A sad pile of unfunny nothing that falls painfully flat.

Doesn’t hit all the noir tropes so much as it wrings all the gloomy joy from them, and the mystery is underwhelming and unmysterious, but still: Riz Ahmed.

Deeply uninvolving, often weirdly stilted and amateurish, and emotionally inert, which is pretty unforgivable given its subject matter of grief and despair.

Delightful dry and snarky satire on wartime propaganda, sharp feminist commentary, and a brilliant cast make this snappy historical dramedy a real corker.

A gripping précis of what Edward Snowden learned at the CIA and NSA, why he went public, and why it matters. Entertaining yet also deeply unsettling.

A fairly familiar romantic dramedy distinguishes itself because its awkward, immature nerd is a young woman, poignantly portrayed by the wonderful Bel Powley.

An adventure crammed with junky slapstick and garish animation that seems to believe it is feminist, but only doubles down on Smurfily regressive notions of gender.

A pretty blur of an apocalypse happens to pretty, blurry people in this dull SF drama. This end of the world brought to you by the Reykjavik Tourist Board.