
Equity movie review: a disappointing return on investment
We’ve never seen this before, multiple female characters open about ambition, power, and money. But representation alone does not make for a gripping tale.

We’ve never seen this before, multiple female characters open about ambition, power, and money. But representation alone does not make for a gripping tale.

It’s supposed to be intense, but it’s just silly. Unless it’s secretly about one woman ridding the world of notorious arms dealers through sly manipulation.

He’s a charming character, a fascinating player in cinema history. Absolutely essential viewing for Disney fans and those interested in animated filmmaking.

A few hints of stagnation aside, this franchise remains a terrifyingly trenchant dystopia. A brutal vision of an America not far removed from our own.

Two movies about women at crossroads in their lives explore the sort of personal crisis — lost mojo! — typically reserved for men onscreen.

Cinematic wankery at its most puerile. Two hours of the sun setting revealing that this is why it gets dark at night would not have been more pointless.

A facile riff on Romeo & Juliet amongst Brussels gangs. Banal, clichéd, and treats its teenage-girl protagonist in a spectacularly disgusting way.

Behold a time before helicopter parenting, when children roamed free, ate cake for dinner, and played with fire. A delightfully old-fashioned treat.

A comedy only in the bleakest way, satire only in the sense that the whole world has become a parody of itself. Appalling and amusing in equal measure.

Pure popcorn thrills. Whips up visceral suspense and maintains it till you’re breathless as it cements the arrival of “woman versus nature” as a subgenre.