
Naz & Maalik movie review: best friends, and more
The stakes feel lower than they should, but as a portrait of youngsters in a tough familial and social position, this is compassionate and engaging.

The stakes feel lower than they should, but as a portrait of youngsters in a tough familial and social position, this is compassionate and engaging.

Simplistic, but a charming and child-friendly introduction to our cousins in the wild that no zoo could provide, with a monkey heroine whom kids will cheer.

Utterly implausible on every level, and ultimately rather insulting: a bit of glitter and lots of hugs are the sum total of its “girl power.”

Superbly unsettling. Pointedly highlights how incarceration dehumanizes inmate and guard alike. Kristen Stewart’s steeliness is perfectly suited to its ironies.

This compact little satire — set in 1990s Balkans — is a small, personal story about huge unfairnesses and injustices. Bleakly, bitterly, blackly funny.

Flawless in every way: sumptuous visually and emotionally. One of the more mature and sophisticated romances the big screen has ever seen.

Safe, conventional, and not particularly sympathetic to women, cis or trans. Mistakes the external signifiers of femininity with actually being a woman.

Inexcusably self-indulgent. Tarantino gratifies his enormous self-love and his amusement at his own genius at the expense of all else.

The beautiful performances and raw intimacy are definitely worth your time, but its wispy good intentions ultimately dissipate into thin air.

Emotionally tense and smartly nuanced exploration of an ordinary man under extraordinary pressure; a war movie for how we have redefined war today.