
Where Are the Women? Unfriended
More than one girl in an ensemble plus a female villain are good things. But the most prominent of the girls is treated in a retrograde, gendered way. [This post is not behind the paywall.]

More than one girl in an ensemble plus a female villain are good things. But the most prominent of the girls is treated in a retrograde, gendered way. [This post is not behind the paywall.]

With interviews with women impacted by our difficult economic times and an appearance by Margaret Thatcher, women are fairly well represented here. [This post is not behind the paywall.]

Like many of the others in the Marvel franchise, this movie depicts women as well-rounded people with lives, stories, and problems independent of men. [This post is not behind the paywall.]

Noomi Rapace’s wife character does go on a bit of a personal journey… although it’s mostly concerned with her relationship with her husband. [This post is not behind the paywall.]

Make it fair, people. #MakeItFair. [This post is not behind the paywall.]

Even grading on the “Women exist only to support men’s stories” curve, women are treated abysmally here. [This post is not behind the paywall.]

Mary Elizabeth Winstead’s lawyer, wife, and mother reflects realities of modern women’s complicated and harried lives that movies often ignore. [This post is not behind the paywall.]

For its complicated female protagonist, wifehood and motherhood and new romance are only a part of her full, rich life. [This post is not behind the paywall.]

Yes, there’s a female coprotagonist here, but she is all about lamenting the demise of her romantic partnership with a man. At least she also has a career. [This post is not behind the paywall.]

The traditional “last girl” of the horror genre moves to the center of the film, where she is in charge of her own story, a positive move for the genre. [This post is not behind the paywall.]